Bridging the mystical and physical

Intricately detailed and finely texture

Polished to perfection

Memory and experience

A life surrounded by carving

Incredible mass and presence

Mysteries that charm and delight

Swimming upwards

Distilled arctic animals

Inherent charm and humour

An abstract look at stone.

Finely detailed and highly technical

Whimsical, unexpected and brimming with movement

IAQ staff have picked works that show how people cruise, chase and travel across oceans, rivers and dreams.

To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.

IAQ’s John Geoghegan takes a closes look at one of the Canadian Eskimo Arts Council’s rejected prints: “Loons Curing the Blind” by May Lonsdale

Couzyn Van Heuvelen takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birds and Dog Feeding” by Ikayukta Tunnillie.

Mark Igloliorte takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Drum Dance in the Igloo” by Paul Uta’naaq

Janice Grey takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Untitled” by Thomassie Echalook

Mark London takes a closer look at one of the Canadian Eskimo Arts Council’s Rejected Prints, “Untitled (7 Geese, 4 People, 2 Dogs)” by Parr.

Linda Grussani takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Woman in Labour” by Janet Kigusiuq.

Richard Murdoch takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Man and Woman Going after Walrus” by Leah Qumaaluk.

Heather Campbell takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Walrus Surprises Hunter” by Napachie Pootoogook.

Alysa Procida takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birth of Jesus” by Harry Egotak.

Blackfoot and Sámi writer, director, producer and actor Elle-Máijá Tailfeathers’ 2014 film tells the story of her parent’s activism as well as the legacies of intergenerational and familial trauma through their radical, rebel love.

Through the lens of the 2011 film “Tunniit: Retracing the Lines of Inuit Tattoos,” Writer, producer and director Stacey Aglok revisits the Iqaluit-based filmmakers practice that has become a living, breathing process.

On the occasion of Brian Jungen’s exhibition “Friendship Centre” at the Art Gallery of Ontario in Toronto, ON, we revisit his work and surprising connections to celebrated graphic artist Kenojuak Ashevak.

During summer the days are long, the skies are sunny and the insects are out in full force. We are sharing 5 Works from our spring 2018 issue which highlight artists’ interpretations of sometimes pesky, sometimes friendly, critters.

For this spotlight on the Anchorage Museum in Anchorage, Alaska, we asked Aaron Leggett, Curator of Alaska History and Culture, to pick the five works he believes speak to the heart of the collection.

For this spotlight on the Nuuk Kunstmuseum in Nuuk, Greenland we asked curators Nivi Christensen and Stine Lundberg Hansen to pick 5 works they believe speak to the heart of the collection.

Everyone who enters our living room stops and looks in awe at the green stone sculpture by Inuit artist Bill Nasogaluak titled Sedna on Cross (2006). Also known as The Death of My Culture, the sculpture’s strength is inescapable.

The IAQ’s favourite auction picks from the fall 2016 art offerings. Here are works that surprised us, delighted us, and left us wishing our budgets were unlimited.