The IAQ's John Geoghegan interviews emerging Arctic photographer Mary Gordon of Kuujjuaq, QC, about her artistic practice.

The IAQ's John Geoghegan interviews Eldred Allen of Rigolet, Nunatsiavut, NL, about his development from drone pilot and business owner to photographer.

Maureen Gruben talks with IAQ’s Napatsi Folger about her latest solo exhibition, her use of traditional and industrial materials, and how Gruben constructs her large scale installations on the land.

While in town as the IAF's featured artist for Art Toronto 2019, Darcie Bernhardt spoke with IAQ's Senior Editor John Geoghegan about her artistic practice and Inuvialuit artist representation.

Aleksei Vakhrushev’s new film The Book of the Sea is a hybrid documentary that blends the traditional harvesting practices of contemporary Chukotkan whale hunters with the claymation story of “the woman who gave birth to a whale”.

IAQ Contributing Editor Napatsi Folger speaks with Lindsay McIntyre about her film project Bloodline, which will be on display at Art Toronto, discussing the origins of the project and from whence McIntyre’s artistic practice derives.

IAQ Contributing Editor Emily Henderson speaks with interdisciplinary artist Mark Igloliorte about working with new artistic mediums, his influences, and motion and movement.

PIQSIQ sisters and throat singers Tiffany Kuliktana Ayalik and Kayley Inuksuk Mackay leave listeners enthralled on their debut EP, teaming up with producer Ruby Singh to blend rhythmic throat singing with entrancing beats.

Lisa Koperqualuk, newly appointed Curator and Mediator of Inuit Art at the Montreal Museum of Fine Arts, speaks with IAQ Contributing Editor Emily Henderson about her new role, Inuit leadership, and lots more.

Ahead of the opening of Transits and Returns at the Vancouver Art Gallery, co-curator Tarah Hogue speaks with IAQ Contributing Editor Emily Henderson on the show’s central themes of movement, mobility and migration.

Was sit down with Iqaluit-based artist Dayle Kubluitok at the Nunatta Sunakkutaangit Museum to discuss her artistic process and her recently completed a mural in the Iqaluit Aquatic Centre.

“We noticed there was a market for Inuit specific clothing because Inuit really love showing off that they are Inuk.”

The IAQ met with Martha Kyak during Indigenous Fashion Week in Toronto. They discussed what being part of Indigenous Fashion Week means to Martha and how her sought-after sealskin necklace came to be.

“There is this Inuk teaching, the more you give the more you get. So if I’m gifted seal flippers, I’ll give a pair of earrings to the huntress or hunter that gave them to me. It’s an exchange and it just keeps giving me more and more.”

IAQ staff met with Inuk Designs during Indigenous Fashion Week in Toronto. They discussed how Inuk Designs got started and what being part of Indigenous Fashion Week in Canada means to Inuk Designs.

“My goal was to be the Louis Vuitton of tufting.”

In 2013, Bart Hanna completed Migration, a monumental ship with a cast of unique characters carved from a single block of stone weighing over 700 pounds. Hanna explains the significance of this singular work to the IAQ.