An artist reacts to those who mispronounce her name.

Napatsi Folger celebrates the monstrous creatures of Tivi Etook.

An Inuk graphic artist explores her relationship to her namesakes through comics.

One writer’s letter to her younger self.

True tributes to time out on the land.

Our Contributing Editor explore a more personal connection to art in this month’s comic featuring Pudlo Pudlat

Two drone photographers critique one another’s work.

Two drone photographers critique one another’s work.

Two drone photographers critique one another’s work.

Insect inspiration for World Mosquito Day.

Two drone photographers critique one another’s work.

Two photographers critique one another’s work.

Her iconic style mingles with the stick figures of our Contributing Editor in this month’s Inuit art comic.

Kenojuak Ashevak depicted many owls throughout her career, naming each with a unique descriptor. Here, we take a closer look at thirty of her avian adjectives.

Who works the clay of the Kivalliq region?

Investigating the minimalism and austerity of Arviat carvings.

6 Inuit artists take on water at the surface.

6 Inuit artists take on water in the deep.

6 Inuit artists take on water at the shore.

Joe Tallirunili’s iconic carvings and prints reimagined get reimagined in watercolour by our Contributing Editor.

Investigating the printmakers in Kinngait (Cape Dorset), NU.

What does self-portraiture mean for an Inuit artist?

How have Inuit artists approached inlay?

After nearly five decades of creating, Abraham Anghik Ruben asks what’s next for Inuit art.

Statues in Ausuittuq (Grise Fiord), NU, and Qausuittuq (Resolute Bay), NU, search for justice.

Sealskin + toothbrush = fine art print?

Preventing cultural ties from being severed and documenting past attempts to do so.

Helen Kalvak’s life gets a comic strip makeover from our Contributing Editor.

Nine pieces that didn't make it into the print magazine.

What records have been stitched into the wool duffel of Baker Lake?

Kenojuak Ashevak’s life gets a cartoon makeover from our Contributing Editor.

The award-winning artist talks about the perks and pitfalls of her online workshops.

Unseen currents connect us all.

50 years of innovation in 31 woven works.

The legacy continues.

What does it take to weave a 60-inch tapestry?

How did they go from blankets to tapestries?

Where it all began.

The politics of carving in Nunatsiavut.

Literally all things polar bear.

The places we sell

The places we sculpt

The places we find stone

Decades before Classic Blue was a trend, Inuit tastemakers took it for a spin.

What happened to Inuit art over the last decade?

Our readers have spoken, and the top ten posts from 2019 are here. Can you guess what made the list?

Britt Gallpen traces the work of three circumpolar Indigenous artists spanning the Global North and examines the political, cultural and aesthetic impact of their use of organic materials.

At the 58th edition of the Venice Biennale, Isuma represented Canada—the first time Inuit artists have done so in the history of the national pavilion. Reneltta Arluk reviews the installation.

Lisa Alikamik looks at the metamorphosis of printmaking in Ulukhaktok (formerly Holman), Invialuit Settlement Region, NT, from wall art to household good.

SakKijâjuk is the first nationally touring exhibition of Inuit art from Nunatsiavut. Jennifer McVeigh reviews what is a thoughtful, multifaceted exhibition on a wide variety of creative practices.